Muse - The Resistance Review

The Resistance

Muse

Release Date: 14th Sep, 2009
Label: Mushroom Records
Genre: Uncategorised

With typical Muse subtlety, their fifth studio album explodes out of the speakers with songs of striving for freedom, land-mass control, and ends with a typically restrained 12-minute symphony (yes, you heard correct) based on a planet having to send astronauts off to find a new home to colonise. All spread across eleven songs, and, if you choose to, an elaborate boxed-set which you’ll be able to show off to your friends who don’t have one. Kicking off with the glam-sci-fi rock stomp of lead single Uprising, with it’s ‘can’t-keep-the-common-man-down’ chorus of “they will not control us”, the spirit of defiance refuses to die down, with Resistance focusing on the message that love will conquer all. So far, so very 1984.

Things take a marked departure with the form of the R ‘n’ B tinged Undisclosed Desires, a strong contender for another single from the LP. With twanging slap-bass and clinical drumbeats, it’s as different a sound as Supermassive Black Hole was on 2006’s Black Holes and Revelations. Without respite, the ‘epic’ dial is turned up another notch with the Eastern-influenced United States of Eurasia, a track that was previewed through the Muse website as the first taster of the album. With grand piano flourishes, a cheeky Eastern melody incorporated into the mix and of course, that Queen moment (not to mention the sure-to-be-favourite concert moment of shouting ‘Eur-asia! Sia! Sia!’ top note), it’s a definite highlight of the album. The ‘lighter in the air power ballad’ slot is filled by Guiding Light, which shares much of its musical heritage with songs like Invincible – albeit with a bonkers Brian May style solo in the middle, seemingly tossed in effortlessly by Matt Bellamy because he felt like it. At times, it’s hard not to be torn in two directions by the album – are we meant to be genuinely impressed by the deep subject matter, the grandiose production (for a direct comparison, listen to the band’s 1999 debut album, then stick this on – it’s hardly the same band anymore) or to be a little bit amused.

Are Muse really just taking the piss out of us with these over the top guitar passages, orchestral touches, and, on I Belong To You (perhaps, if there is such a thing, one of the weaker songs on the LP), a clarinet solo. Seriously. It’s there in the last minute or so of the track. It’s tongue-in-cheek certainly, but Muse have progressed so much as a band they’re almost entitled to take their music as far as they can. Even if it includes instruments nobody wanted to play, even in school music lessons. As mentioned previously, the big talking point on this album seems to be the closing three-part symphony Exogenesis. Spread-eagled over twelve minutes of music, it grows and swells, recedes, ebbs, flows and finally ends on such a plaintive note you’re not sure if the CD has finished. It’s a work of grand ideas, intellectual topics, and challenging influences, but delivered with the trademark panache Muse have displayed for a long time now. It’s hard to believe, but they really have pushed the envelope in terms of what they can do musically – and after their last album containing such gems as Knights of Cydonia, Take A Bow and Starlight, that’s certainly saying something.

For those wanting something to show the grandchildren, the £60 box-set version features a lavish double-LP of the album, an art print, the album on CD with a bonus making of documentary on DVD, and a USB stick with various music file versions of the album contained within, as well as a snazzy music player to play them on the PC with. If you order through the official Muse website, you also get a Surround Sound DVD of the album chucked in for free, which should sound wizard on the right set-up.

Reviewed by Steve Muscutt

About The Artist

Muse

Muse is an alternative rock band from Teignmouth, England, United Kingdom. The band consists of Matthew Bellamy on lead vocals, piano, keyboard and guitar, Chris Wolstenholme on backing vocals and bass guitar, and Dominic Howard on drums and percussion. They have been friends since their formation in early 1994 and changed band names a number of times (such as Gothic Plague, Fixed Penalty, and Rocket Baby Dolls) before adopting the name Muse. Since the release of their fourth album, Morgan Nicholls has also appeared with the band at live performances to provide keyboards, samples/synth, and backing vocals. Their sound is a blend of alternative rock, classical music, electronica, metal, spanish guitars, and progressive rock. Usually they use the bass line as the driving force, often with the guitar providing only an extra layer to the song rather than carrying the melody, the bass has distortion and other effects applied to it to achieve a greater weight, allowing the guitar to digress from the main tune and play higher notes. Another peculiarity is Muse´s piano style in many of their songs; their music has been inspired by the works of Romantic pianist-composers such as Rachmaninoff, Tchaikovsky and Liszt, and has thus resulted in a fusion of Romantic style with modern rock. The band is known for their energetic live performances and front man Matthew Bellamy's eccentric and avid interests in global conspiracy, extraterrestrial life, theology and the apocalypse (as much as in Space and theoretical physics). Their lyrical themes involve madcap conspiracy theory, revolutionary rabble-rousing, weird stuff about aliens (or Zetas, if you please), religions and other such classic Muse concerns. In general their music and lyrics gaze on helplessly at the subjugation of humanity by corrupt world leaders and encroaching environmental or galactic disasters (and certainly their last album 'Black Holes And Revelations' has its fair share of climate change/oil crisis/global inflagration paranoia). In October 1999, Muse released their first full length LP; 'Showbiz'. The album received mixed reviews among critics, and music fans, labeling the band as 'Radiohead copycats'. This, however, did not stop the album from selling over 700,000 copies, with success coming from singles; Unintended and Muscle Museum. The album also earned Muse a nomination at the 2000 BRIT Awards, for Best New Act. 2001, with John Leckie behind the desk again, saw the release of Origin of Symmetry along with Top 20 entries for Plug in Baby and New Born. The album went unreleased in the United States until 2005 because their record label at the time, Madonna's Maverick, allegedly thought the falsetto vocals would discourage radio play and wanted the band to re-record alternate vocals. The band refused, and terminated its contract with Maverick. Muse followed up with a b-side/live CD/DVD named Hullabaloo Soundtrack, showcasing the band's concert from France in late 2001. To promote the album, Muse also released the Dead Star/In Your World EP, which charted high in the UK charts and proving Muse could also write "radio-friendly" rock tunes, as well as the 7 minute long epics on Origin of Symmetry. Muse polished off their impressive year by winning Best Live Band at the 2002 Kerrang! Awards. In 2003, Muse asked Rich Costey to step behind the desk to help create Absolution. The album had very strong sales all over the world, and helped the band achieve their first UK number 1 album. Its release was preceded by a download-only single and online video for the song Stockholm Syndrome. Followed by the singles Time is Running Out and Hysteria, which charted well in the UK charts and helped Muse secure a headline spot at the 2004 Glastonbury Festival. Glastonbury saw Muse storm troop onto the high table of classic Glastonbury headline acts and prove themselves a formidable force in British rock. Although many had their doubts at putting Muse on the bill with names such as Paul McCartney, Muse proved them all wrong and played what Bellamy described as "the best gig of our lives." It was only with that triumph fresh in their throats, they claim, that they realised they'd 'made it'. However tragedy struck just shortly after Muse came off stage when Dom Howard's father (a big Muse fan) collapsed after witnessing his son play and died on the site. Later that year, Muse toured the US, promoting Absolution, before returning home to play two sell-out gigs at London's Earls Court at the end of the year. In 2006 and after a long and exhaustive tour, the band returned to the studio, and released Black Holes and Revelations.Interview with Dominic 2006 With the LP, the band secured their second UK album chart number one, whilst reaching the top spot in several other countries, as well as a Top 10 in the US billboard chart. The controversial single Supermassive Black Hole became Muse's highest UK entry in the charts, reaching number four, and also scored high entries in other countries. The album's second single, Starlight, reached number 13 in the UK charts in September 2006. The 3rd UK single was fan-favourite Knights of Cydonia, released on November 27th, and it reached number 10 in the UK charts. The 4th single from Black Holes & Revelations was Invincible, and was released April 15th 2007. It entered the UK singles chart at 21st place, and was the first single from the new album not to enter in the Top 20. On November 2, 2006, the band won an award for Best Alternative Act at the annual MTV EMA in Copenhagen. Muse were also named 'Best Live Act' at the Brit Awards in 2006 and have retained the title in 2007. Two of the album's singles reached the highest US Modern Rock chart positions in the band's career during 2007: Starlight reached #2 in February 2007, and the all-falsetto Supermassive Black Hole reached #6 in October. 2007 also saw the band play to sellouts at Madison Square Garden and the Forum in Los Angeles, as well as headlining Austin City Limits Festival and Lollapalooza. Even when the band says they do not see themselves as a massive stadium band, their headline concert on June 16th 2007, at the rebuilt Wembley Stadium, sold out in 45 minutes six months before the gig and the band had to add a second show on June 17, where they proved to be more than worthy of stadium gigs. The Wembley gigs became two of the biggest hyped concerts of 2007. Already the gigs have been compared by music journalists to Live Aid and Queen gigs, also performed on the "Hallowed Ground." The band's next release, HAARP: Live from Wembley, is expected to be made up of footage from the June 17th show. In July 2007, Bellamy confirmed that he has begun to work on a new studio album and new songs, some more in line with electronic or "dance" music and others more with classical or symphonic music. The band is also thinking of hiring an orchestra for some of them. He also revealed that the next album should be self-produced, in order to have more freedom. In January 2008 the song "Knights of Cydonia" was voted number 1 on the Triple J Hottest 100, Australia's biggest annual alternative music countdown. In 2009, the band released The Resistance, which contained the successful single "Uprising", the band's first Top 40 pop hit in the United States (achieving this with very little radio airplay) and their first #1 on the Billboard Modern Rock Chart. Followup singles "Resistance" and "Undisclosed Desires" also proved successful.

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50 Comments

  1. pa_llo 01 Feb 2012

    The firsts three songs are amazing

  2. Ultra_DM_ 29 Jan 2012

    Хейтеры, убейтесь или продолжайте слушать свои Showbiz и Absolution дальше. The Resistance - гениальный альбом.

  3. XDRory 15 Jan 2012

    The Resistance is far superior to their early teen pop rock material. [3] Yet I've seen people on here compare the album to "teenage girl music". Yeah, I forgot teenage girls like to listen to the fucking Exogenesis symphony. I really don't get the hate for this album.

  4. filas312 15 Jan 2012

    Wish Exogenesis wasn't on The Resistance.

  5. Akado4ka 21 Dec 2011

    mk741 lolwhat? It's their best album to date

  6. magnificohan 27 Nov 2011

    Awesome photo: http://www.last.fm/music/Muse/+images/71215290 vote up if you like it.

  7. little-bluebird 21 Nov 2011

    masterpiece !

  8. VickyYang 21 Nov 2011

    Hi,Who can tell me where I can download the resistance -music box version? My email address is: vicky@crystalandcrystalgift.com pls tell me...Thanks in advance.

  9. tresselmatt 15 Nov 2011

    Well I think it's funny that people are playing the "This new stuff is commercial simplified shit, their old stuff was so much better" card when Showbiz is their most simple, one-dimensional album in every single regard. And I like that album. I do agree that Absolution is supreme though. Absolution > Origin > Resistance > Black Holes >>> Showbiz for me. And again, I like Showbiz. But this is a damn good album, definitely not their worst, and I've yet to see a strong argument for the contrary in these 2+ years.

  10. Ghost_Buster 14 Nov 2011

    1st 4 albums (ignoring Starlight, really have had enough of that song) >>> Resistance IMO I think it's funny how some people are slagging off Showbiz. Seriously Muscle Museum beats anything on here (even though I don't hate any of the songs). But then most people's favourite is OOS but Absolution is my favourite so go figure.

  11. Rianri 26 Oct 2011

    You know what? I love them all. From the wacky b-sides and early stuff to the The Resistance's Exogenesis Symphony. That said, OoS is my favourite album and the Resistance comes in last. There's tracks in the Resistance I didn't bother to listen more than 3 times. But there are also the Symphony, MK Ultra and Unnatural selection in there, so...

  12. Psychedalex77 22 Oct 2011

    essential plebcore.

  13. KeirKnight 17 Oct 2011

    As much as I love this album, taking the piss out of the older, god tier album is just laughably poor taste.

  14. afonsohenrie 17 Oct 2011

    The Resistance is far superior to their early teen pop rock material. [2] #FACT

  15. A_S_P_84 13 Oct 2011

    The Resistance is far superior to their early teen pop rock material. They've reached a new era of musical maturity and can now be taken seriously as accomplished and talented musicians capable of diverse and engaging songs. Maybe their gigs will be free of the usual mass of Kerrang kids polluting the venue and will now attract some fans of Frédéric Chopin and Camille Saint-Saëns! ;)

  16. CRAZYBALLIZTIK 13 Oct 2011

    I agree, that's a catastrophic commercial shit!

  17. innerspeaker 12 Oct 2011

    This album is turd.

  18. guto013 11 Oct 2011

    Their worst, but still good.

  19. Tim_19 08 Oct 2011

    incredible album

  20. joshuamason42 02 Oct 2011

    The Resistance >>>>>>>>>>>> Black Holes and Filler [2]

  21. joshuamason42 02 Oct 2011

    Hahahaha are you losers serious? There's new elements on this record, but it's not even close to a drastic departure of any sort. I'm nearly pissing myself laughing at some of these dramatic, overblown comments. This sounds like a Muse record. For people who like Muse. And were you all unconscious in 2006 when they put out a record that was 25% quality 75% mediocrity? This is certainly an improvement from that.

  22. Evacuant 30 Sep 2011

    "People, embrace change, because it's in no way a bad one. " Yes, yes it is. What an abomination of a record.

  23. mk741 29 Sep 2011

    Terrible. Muse died with this record. [2]

  24. niqart 20 Sep 2011

    Exogenesis: parts 1, 2 & 3 are genious and for matured-grown up admirers not for kids.....

  25. Indyjones45 20 Sep 2011

    Good album, but it's by far the worst of them. [8]

  26. SoggyCrackers 07 Sep 2011

    The Resistance >>>>>>>>>>>> Black Holes and Filler

  27. flow__ 02 Sep 2011

    You can love/hate anything you want and all that freedom of speech blablabIaIDONTGIVEAFUCKbla attitude as well but If you really are a "Muser" and you don't like at least on of the parts of Exogenesis Symphony, you probably have some sort of brain damage. Ok, now I feel stupid.

  28. WoozieGTA 29 Aug 2011

    Me lo compré original, valió la pena. 10/10

  29. KoutaElric 26 Aug 2011

    One of their best IMO

  30. Dysrianism 23 Aug 2011

    holy fuck, this is a turgid dirge of the highest quality, and Matt Bellamy should be slapped furiously until he remembers how to not make really shitty albums. I mean, he never was exactly a genius but what a downturn of quality.

  31. Sepowia 21 Aug 2011

    For me, it's their best album.

  32. RPBM_Alex 19 Aug 2011

    Look at the tags: Progressive rock? WTF

  33. Harry_01 17 Aug 2011

    Their weakest effort to date, but still pretty enjoyable. It's kind of a let down because we all know they can do better than this.

  34. _NoHavenNow_ 16 Aug 2011

    Better than Black Holes and Showbiz. Inferior to Origin and Abso.

  35. ABattleofOne 15 Aug 2011

    Sure, this is Muse's weakest record, but Muse fans who claim it's so bad were expecting too much and now when they listen to it they tell themselves that it sucks and that they are going to hate it. Really, there are songs on here that would have easily made some of the other albums had they written them at that time.

  36. milann89 14 Aug 2011

    I still lmao when I come to this shoutbox and see words like 'betrayal'. Yes, because impressing you is why they're making music.

  37. Faraudo2112 13 Aug 2011

    Christ!! why does so many people hate this album!, I think it's amazing!!

  38. Flynner11 12 Aug 2011

    Muse died with this record.

  39. mihirnawathe 10 Aug 2011

    Everything sucks apart from Uprising.

  40. JuliusNepos 09 Aug 2011

    Thoroughly mediocre except for the symphonies.

  41. XDRory 07 Aug 2011

    People, embrace change, because it's in no way a bad one.

  42. Fantasyst 06 Aug 2011

    @YoAsia92 Lady Gaga is more popular than Muse. That doesn't make her better.

  43. Helga_Potato 01 Aug 2011

    Good album, but it's by far the worst of them. [7]

  44. LittleLowla2 01 Aug 2011

    Love you Guys - Behave yourselves ( i know its not fun ) Thanks for all you Do matthew and Howard and all . Love the artists in you . Keep up the great Music .

  45. YoAsia92 31 Jul 2011

    So many hating comments, still this album is more popular than Origin of Symmetry. I don't get you people.

  46. slutcarcass 29 Jul 2011

    exogenesis makes for a nice little pop rock song, but compared to a REAL symphony it isn't very good. like, by symphonic standards it's kind of laughable. however, it's my favorite track on the album

  47. The_Groove_Girl 29 Jul 2011

    it's not the best album, but it's NOT BAD, Exogenesis Symphony is a masterpiece <3

  48. slutcarcass 29 Jul 2011

    this album is garbage. if this record introduced you to muse, then i feel sorry for you. the problem with this album is that it totally blows. this LP made me lose almost all respect for this group.

  49. gacktxrawr 28 Jul 2011

    This is where i stopped listening to muse.

  50. mudandbleach 20 Jul 2011

    problem with this album is that it's so hit and miss. the last 5 tracks were all steps in the right direction. the first few, well, hit and miss. uprising sounds like a last-minute "write us a boring single that we can stick at the front of the album" throwaway. the magical guitar work of the earlier albums is almost completely absent. they didn't take enough risks but, at the same time, didn't do enough to keep what makes the band interesting in the first place. still a good album, just too hit and miss.

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