Neil Young - Le Noise Review

Le Noise

Neil Young

Release Date: 27th Sep, 2010
Label: Reprise
Genre: Rock
Purchase on Amazon

Neil Young now belongs to that rare stratum of artists whose work is no longer judged purely on its merits but on the basis of its status within their catalogue. As with Dylan and Bowie, interest lies not only in whether the latest record stands up to repeated listening, but what it says about them within the context of their career. 


So when Le Noise was announced, most stories focussed on the fact that it sees the veteran collaborate with Grammy-winning producer Daniel Lanois, previously responsible for records from Dylan (of course), Peter Gabriel and Emmylou Harris, and who here has reduced Young’s backing to (mainly) electric guitar and Lanois’ own "sonics". It sounded like one for the musos.



But what this means is that when Walk With Me opens the album with one crunching, distorted chord, it sounds like Crazy Horse, his sometime backing band, are about to unleash hell’s fury. Instead, Young’s trademark impassioned whine insists "I’ll never let you down no matter what you do if you just walk me", while he chops out chords that decay like thunder, Lanois adding a few restrained vocal loops and guitar treatments. There are no drums, no hurricane solos and, it has to be said, no great signs of a melody. In fact this at first sounds as though Young is merely demoing new songs, feeling his way through them, trying to decide whether they would work better if they rocked with a band or instead reached back to the tender acoustics of Harvest. His research appears to have been inconclusive.



This being a Neil Young album, however, it’s worth returning to, and what initially appeared indecisive reveals itself as an experiment in the rejection of standard rock arrangements. Le Noise therefore remains reasonably accessible, Young’s lyrics still as appealingly forthright as his playing, his melodies slowly rising through the unsettling, growling dirge. Hitchhiker sees Young look back over his life atop a bare and formidable landscape; Rumbling is plaintive yet full of an urgent energy, Young’s voice vulnerable but resolute, while Lanois’ greatest contribution is arguably his general absence.



It’s not an easy listen, obviously, but acclimatisation to the unfamiliar, monochromatic sound of such raw electric guitar brings with it the ability to recognise that Young’s songwriting skills haven’t dulled with age. Examined as a part of his overall body of work, furthermore, it’s amongst the more fascinating left turns he’s made, and once again confirms the evergreen restlessness of this gnarly and frequently inspiring Canadian. Once again, he’s not let us down.

Reviewed by Jonny Rimmer

About The Artist

Neil Young

Neil Percival Young (born November 12, 1945) is a Canadian singer-songwriter who is widely regarded as one of the most influential musicians of his generation. Young was born in Toronto, but moved to the family home of Winnipeg as a child, which is where his music career began. Young began performing as a solo artist in Canada in 1960, before moving to California in 1966, where he co-founded the band Buffalo Springfield along with Stephen Stills and Richie Furay, and later joined Crosby, Stills & Nash as a fourth member in 1969 (forming Crosby, Stills, Nash & Young). He forged a successful and acclaimed solo career, releasing his first album in 1968; his career has since spanned over 40 years and 34 studio albums, with a continual and uncompromising exploration of musical styles. According to Don't Be Denied Songfacts, the 16-year-old Neil was raising chickens and selling the eggs, with plans to go to Ontario Agricultural College and be a farmer. Only his leisure activities foretold his future, when he would hide from his family problems in his room with his transistor radio playing local station CHUM. From this, Young learned admiration for Chuck Berry, Little Richard, Jerry Lee Lewis, and of course Elvis Presley. In 1958, his father bought Neil his first music instrument, a plastic ukulele. His father would later recall, "He would close the door of his room... and we would hear plunk, pause while he moved his fingers to the next chord, plunk, pause while he moved again, plunk." In Winnipeg, Manitoba, Canada, Neil started his professional music career in the mid-1960s with a number of bands in Canada, including the Squires and later the Mynah Birds, which also included fellow future Buffalo Springfield bassist Bruce Palmer and future funk star Rick James. When the Mynah Birds broke up, Young and Palmer headed to California to meet Stephen Stills, whom he had met in Thunder Bay, and the result was Buffalo Springfield. That band split up after three albums, and Neil soon started his solo career with the release of Neil Young November 12, 1968. The album did not do very well commercially, but included several strong tracks, including "The Loner", said to be a portrait of Stephen Stills. On May 14, 1969 he recruited Crazy Horse and made the critically acclaimed Everybody Knows This Is Nowhere. This was a much more consistent album, the first to introduce longstanding collaborators Crazy Horse, and built around the balanced interplay between the guitars of Young, and the talented Danny Whitten. The album also featured two lengthy classics, "Down by the River" and "Cowgirl in the Sand". The critically acclaimed solo album "After the Gold Rush" came out in 1971, featuring such classic songs as "Southern Man'", "Only Love Can Break Your Heart" and "Don't Let it Bring You Down". Harvest followed in 1972 with the hit"Heart Of Gold". During this time he also enjoyed considerable success as a quarter of Crosby, Stills, Nash & Young. Neil's subsequent work has zig-zagged across genres - dabbling in country rock on "Old Ways"; electronics on "Trans"; hooking up with the Shocking Pinks in a homage to old-time Rock 'n' Roll on "Everybody's Rockin'"; creating a wall of feedback on the live Arc-Weld; and cementing his status as Godfather of grunge when collaborating with Pearl Jam on Mirror Ball. His idiosyncratic approach to genre even led to him being sued by his record company (Geffen) in the 80s for making "uncharacteristic" music. Young has also dabbled in film, most recently on the album/concert series/dvd Greendale. 66 years and still going strong the very special and often strange Neil Young keeps on making music. His latest release is “Le Noise”. The film Canadian Bacon includes the line "Canadians are always trying to figure out a lot of ways to ruin our lives. The metric system, for the love of God! Celsius! Neil Young!"

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18 Comments

  1. Jagga_Nova 28 Jan 2012

    Шикарно!

  2. Zebraskin 30 Jul 2011

    Neil YO)))ung [4]

  3. z33r0th 25 Apr 2011

    Neil YO)))ung [3] Anyone else hoping for a Sunn O)))/Neil Young collab?

  4. Vigridr 14 Jan 2011

    ahaha lol Sunn O))XD

  5. Bolshevized 25 Oct 2010

    This album proves, yet again, that Neil Young is the hippest grandpa in rock. In fact, much cooler than most of the younger posers out there as well.

  6. tegasar 16 Oct 2010

    young musicians should learn from this guy what rock means and how it should be played and sung

  7. Aaron342 30 Sep 2010

    This album was big surprise. The ambient moments on this are particularly awesome. Neil Young knows how to keep up with the times. neil yo)))))ung [2]

  8. sublingualwart 29 Sep 2010

    neil yo)))))ung

  9. treadmillinjay 29 Sep 2010

    This album is serious !

  10. Tron1276 29 Sep 2010

    STUNNING.

  11. StVik 25 Sep 2010

    I LOVE IT

  12. Big_Dip 24 Sep 2010

    Old man + guitar = pure perfection!

  13. Pinkerton- 20 Sep 2010

    Love it

  14. yaniv297 20 Sep 2010

    Good.

  15. MourningMoon 19 Sep 2010

    Weird.

  16. Echoes917 19 Sep 2010

    Awesome

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