Phil Collins - Going Back Review

Going Back

Phil Collins

Release Date: 13th Sep, 2010
Label: Warner Bros
Genre: Pop
Purchase on Amazon

Long installed in popular music's multi-million-selling pariah pantheon, there are fewer easy targets for arrows of critical opprobrium than 59-year-old Philip David Charles Collins. Granted, Collins has sometimes been guilty of painting the bull's-eye on his own forehead (that self-aggrandising Live Aid Concorde business, the cringe-worthy lyrics to Another Day in Paradise, Buster, etc), but nonetheless, the sometime Genesis frontman's canon is so substantial and his hits so profuse that it feels myopic to dismiss him merely as a haughty purveyor of tortured, romantic ballads for the middle income world.

Certainly, hip hop artists can't get enough of the near-iconic In the Air Tonight, and Collins, lest it be forgotten, once lent his nimble stick-work to leftfield albums by the likes of Brian Eno and John Cale. All of which is a very long way from Motown: the adolescent Collins' musical tipple and the inspiration for Going Back, his first solo album since 2002's underperforming Testify.

An 18-track trawl through the Hitsville USA songbook, this is not so much an homage to Berry Gordy's Detroit stable as a battlefield re-enactment, underpinned by three surviving members of The Funk Brothers, Motown's peerless, 60s in-house studio band. So faithfully have Collins and his confreres recreated the Sound of Young America - shimmering tambourines drowning out drums, bass compressed to a fat, distorted throb -  that it's hard not to be swept along. Thus, Girl (Why You Wanna Make Me Blue) is as much a blast of toe-tapping euphoria here as it was for The Temptations back in 64, Collins' reedy, helium-like vocals squeezed into a fair impersonation of the style, if never quite the gravity, of Messrs Ruffin, Kendricks and co. Sprightly versions of Martha and the Vandellas' Heatwave and Stevie Wonder's Uptight also stack up remarkably well against the originals.

Things go slightly awry when Collins swaps Motor City tropes for contemporary interpretations, synth pads and all; Some of Your Lovin' and Blame It on the Sun being particularly saccharine casualties. When he recreates the finger-snapping brio of Standing in the Shadows of Love, Jimmy Mack or Going to a Go-Go, however, his reverence for the material is, whisper it, completely disarming.

Reviewed by David Sheppard

About The Artist

Phil Collins

Philip David Charles "Phil" Collins LVO (born 30 January 1951 in Chiswick, London) is an English singer-songwriter, drummer, keyboardist and actor best known as a drummer and vocalist for English progressive rock group Genesis and as a Grammy and Academy Award-winning solo artist. Collins sang the lead vocals on eight American chart-toppers between 1984 and 1989; seven as a solo artist and one with Genesis. His singles, often dealing with lost love, ranged from the drum-heavy In The Air Tonight, to the dance pop of Sussudio, to the political statements of his most successful song, "Another Day in Paradise". His international popularity transformed Genesis from a progressive rock group to a regular on the pop charts and an early MTV mainstay. According to britishhitsongwriters.com he is the forty-eighth most successful songwriter in U.K. singles chart history based on weeks that his compositions have spent on the chart. Collins' professional career began as a drummer, first with obscure rock group Flaming Youth and then more famously with Genesis. In Genesis, Collins originally supplied backing vocals for front man Peter Gabriel, singing lead on only two songs: "For Absent Friends" from 1971's Nursery Cryme album and "More Fool Me" from Selling England by the Pound, which was released in 1973. On Gabriel's departure in 1975, Collins became the group's lead singer. As the decade closed, Genesis' first international hit, "Follow You, Follow Me", demonstrated a drastic change from the band's early years. His concurrent solo career, heavily influenced by his personal life, brought both him and Genesis commercial success. According to Atlantic Records, Collins' total worldwide sales as a solo artist, as of 2002, were 150 million. Phil Collins, announced in March 2011 that he is retiring from the music business. "I am stopping so I can be a full time father to my two young sons on a daily basis," Phil Collins wrote on his website. He refers to his two sons, Nicholas and Matthew, with his third wife Orianne Cevey, whom he divorced in 2008.

Related Reviews

4 Comments

  1. rtms1988 22 Feb 2011

    Great album! ;)

  2. Koxo4 07 Nov 2010

    The circle is filled, yeah! Welcome to the beginning, Phil :)

  3. Staple0 14 Sep 2010

    amazing

  4. phuchs 25 Aug 2010

    looking forward to it!!!

Leave A Response