Eels - Tomorrow Morning Review

Tomorrow Morning

Eels

Release Date: 23rd Aug, 2010
Label: E Works
Genre: Rock
Purchase on Amazon

On Eels' ninth album, Mark 'E' Oliver Everett explores many of the themes that have long cropped up throughout his oeuvre, from loneliness through the idea of what it is to be happy - a loving relationship? Artistry? - to his lyrical staple of birds. 

Album highlight and first song proper here is entitled I'm a Hummingbird, and comes over like a loose cousin of his last record's Little Bird, except that where Everett was formerly dejected and alone, here he casts himself the bird, "beautiful and free." Over arcing strings he considers "all the seconds and the minutes... The years of my life," declaring that "It was all worth it, to be here now".

The general theme and idea of the whole thing is one of renewal, of the light that glimmered as End Times closed out, manifesting itself in something brilliant; a man finally content. But this rebirth is one communicated mainly through platitudes, of which This Is Where It Gets Good epitomises. Sitting at the heart of the record, Everett hammers home the song title, surmising that "the spirits come together," before the funk riff the song is built out of takes centre-stage for four excruciatingly aimless minutes.

Yet Everett is on the upswing here - as he acknowledges on the sweet Spectacular Girl, "Some things just happen 'cause they have to be". After the bleak vision presented us on End Times (where he sang frankly of divorce against a backdrop of madness and apocalypse-mongering), it is a relief to hear him at ease with himself and the world surrounding. 

Straight off the bat, Tomorrow Morning is a more playful, relaxed listen than its predecessor. Indeed, Everett views this record as the conclusion of a trilogy which began with Hombre Lobo before descending into the misery present on End Times.

It's not serenity that's the problem on Tomorrow Morning though - it just feels slack in execution; like a series of vaguely pretty sketches or half thought-through ideas. It's a palate-cleanser for sure, and whatever lies next for Everett, you have to hope it's a little more emphatic than what's on offer here.

Reviewed by James Skinner

About The Artist

Eels

Eels is an American alternative/acoustic indie rock band formed by singer/songwriter Mark Oliver Everett, better known as "Mr. E" or simply E. Born in 1963, he grew up experimenting with music in the Washington D.C. suburbs and later moved to Los Angeles, California, United States emerging as the frontman of a band, calling Eels a vessel for his music. Other members rotate frequently, both in the studio and on stage. Their live shows include interesting interpretations of older songs, and usually some well-known covers. E solo records A record was released in 1985 by Mark Everett called Bad Dude in Love. Not much is known about the LP, all information found is located at eels.nl. In 1992, he released his first solo album (under the name E) titled A Man Called E on Polydor. The single "Hello Cruel World" was a minor success. Touring to support this album, he opened for Tori Amos. A Man Called E was followed by Broken Toy Shop in 1993; This year he was also joined on stage by drummer Jonathan 'Butch' Norton. After Broken Toy Shop E was released from his record deal with Polydor. Beautiful Freak When Butch and E met Tommy Walter, they founded Eels. The main reason for this name was so that the band's records would be next to E's in an alphabetical ordering. It was only later that they realized that The Eagles would fall in between. They signed a record deal with Steven Spielberg's Dreamworks, being one of their first bands. In 1996 the band released their debut album Beautiful Freak: a melancholic pop record, where the lyrics of a tormented Everett shine. With the singles "Novocaine for the Soul" and "Susan's House" the band had modest international success. They toured extensively to support the album in 1996 and 1997, playing many festivals and building their name as a live act in the United States and Europe. In September 1997, Tommy quit the band (or was fired, depending on who you ask - see the hidden message in the track "Dog's Life"). The album demonstrated a wide range of influences, including grunge and hip-hop. Electro-Shock Blues E had a difficult time in his personal life at this point. His father was found dead, his sister had committed suicide just before Beautiful Freak was released, and his mother was diagnosed with cancer. These events inspired him to write Electro-Shock Blues, released in 1998. The lyrics deal with subjects like suicide, death, and cancer. Despite the fact that it is a very dark album, and not nearly as big a commercial success as its predecessor, Electro-Shock Blues is still many fans' favorite. Contributions to the album were made by Jon Brion, Dust Brother Michael Simpson, and T-Bone Burnett. "Last Stop: This Town" was a minor success as a single; the second single "Cancer for the Cure" was used on the soundtrack for the film American Beauty. Still a three-piece band on stage, Tommy Walter was replaced by Adam Siegel, formerly of Suicidal Tendencies. A large part of the American leg of the tour was canceled after the death of E's mother. They returned to Europe later in the year, to open for Pulp. After the tour Adam left the band to focus on his own project, My Head. Daisies of the Galaxy In 2000, the Daisies of the Galaxy album was released, a much happier work. As E puts it, If Electro-Shock Blues was the phone call in the middle of the night that the world doesn't want to answer, then Daisies of the Galaxy is the hotel wake-up call that says your lovely breakfast is ready. The album was almost entirely recorded in E's basement. E is joined in the studio by Michael Simpson (Dust Brothers), Grant Lee Phillips (Grant Lee Buffalo), and Peter Buck (R.E.M.). On the tracks "It's a Motherfucker" and "Selective Memory", E plays on the same piano Neil Young used on his classic album After the Goldrush. The first single "Mr. E's Beautiful Blues" was co-written by Simpson and features the sound of his pager in the intro. The song was not intended to be on the album, but the record company insisted on its inclusion. Therefore it is not featured on the track listing but listed as 'bonus track', separated from the rest of the album by 20 seconds of silence. The song also appeared on the Road Trip soundtrack; some prominent members of the cast from that film feature in the music video. Because of the use of swear words on "It's a Motherfucker" and "Mr. E's Beautiful Blues" (goddamn right, it's a beautiful day) a censored version was released. "It's a Motherfucker" was renamed to "It's a Monstertrucker"; instances of the 'f-word' were removed by E singing over them in a distorted voice. To promote Daisies of the Galaxy another tour was planned across the United States and Europe. This time Eels were transformed into an 6-piece orchestra, including Lisa Germano. E also played a few solo shows, opening for Fiona Apple. Oh What A Beautiful Morning In 2000 Eels released an internet only, collection of live tracks a collation of the orchestra tour and the solo shows E played with Fiona Apple. Souljacker In 2001 Souljacker was released, an album with a darker feel than Daisies of the Galaxy. John Parish, previously in PJ Harvey's band, co-wrote most of the songs and also played guitar on the album and first part of the tour. Koool G Murder played bass and keyboards and joined Eels on tour, jokingly introduced by E as 'the other guy'. Wim Wenders directed the video for the first single, "Souljacker Part 1". After Parish became a father, he was replaced with Joe Gore for the American leg of the Bus Driving, Band Rocking Tour. Electro-Shock Blues Show Electro-Shock Blues Show is a live album by Eels, released in 2002. The fifteen tracks on this album were recorded at six different venues. According to the album's liner notes, the first ten tracks were recorded "somewhere in England" during December 1998 while the Eels were a support act for the band Pulp. The other five tracks are brought in from selected performances from around Europe and the United States. The band at the time consisted of E, Butch, and Adam Siegel. The tenth and final track from the English performance features an audience member known simply as 'Emma' playing the sleigh bells. The last track features a hidden bonus song, another version of "My Beloved Monster", which follows a long silence after the end of "Climbing To The Moon". Shootenanny! 2003 marked the release of the album Shootenanny!. E now refers to the album as a break from recording the following Blinking Lights album. It was recorded live in the studio in only ten days. "Saturday Morning" was released as a single. Butch left the band after recording the album to join Tracy Chapman (see [2]). He was replaced with Puddin. In 2003 Eels did another big tour, The Tour of Duty. The live band then consisted of E, Shon 'Golden Boy' Sullivan (guitar), Koool G Murder (bass) and Puddin (drums). Golden Boy left to work on his own project Goldenboy and was replaced with Chet Lyster (also known as Chet Atkins III or 'The Chet'). This year, E also composed the score for the film Levity. Sixteen Tons (Ten Songs) Sixteen Tons (Ten Songs) is a live album recorded by EELS. It was recorded live at the Eels 2003 Tour Of Duty KCRW session. Released in May 2005 during the Eels With Strings tour and sold at their performances, it is now exclusively sold on EELS official website. B-Sides & Rarities 1996-2003 B-Sides & Rarities 1996-2003 is compilation album, released in 2005 and available through digital download via iTunes Music Store. Eels also released a physical compilation of B-sides and rarities in 2008 called Useless Trinkets: B-Sides, Soundtracks, Rarities, and Unreleased 1996 - 2006. Blinking Lights and Other Revelations The new album, called Blinking Lights and Other Revelations, was released on April 26, 2005. This is the band's first release for new label Vagrant Records -- an epic 33-track double album. Contributions were made by Tom Waits, Peter Buck and John Sebastian (The Lovin' Spoonful). A hand-written lyric-sheet to "In the Yard, Behind the Church", a song from the new album, was sold on eBay for charity. The winning bidder paid $544 for it. The first tour in support of this album, billed as Eels With Strings, featured primarily acoustic guitar-, organ- and piano-based performances by E backed by Alan 'Big Al' Hunter on piano and upright bass; Chet Lyster on guitar, mandolin, pedal steel, musical saw and drums; and the string quartet of violinists Paloma Udovic and Julie Carpenter, violist Heather Lockie and cellist Ana Lenchantin. The tour resulted in a live album, Eels with Strings: Live at Town Hall, recorded in New York City, due to be released on CD and DVD on February 21, 2006. Eels with Strings: Live at Town Hall Eels with Strings: Live at Town Hall is a live album by Eels, released on CD and DVD on February 21, 2006. The recording is from New York City's Town Hall, June 30, 2005. It is the first live Eels album with a general release, and the first Eels DVD. Meet the Eels: Essential Eels Vol. I and Useless Trinkets In early 2008 Eels released their first "greatest hits" compilation as well as a compilation of b-sides, rarities, soundtrack singles and unreleased tracks. Meet the Eels: Essential Eels Vol. I spans the first decade of the Eels with singles from all their albums. Attached is a DVD featuring music videos and one live performance video. Useless Trinkets contains 50 tracks and a DVD of their Lollapalooza 2006 performances. To promote those releases the band is currently on world tour ("An evening with Eels"). This time only The Chet joined E on stage, both playing a broad cross-section from the Eels repertoire on a variety of instruments. The concerts also featured The Chet reading excerpts from E's autobiography. On this tour, one could purchase a live CD/DVD package of Eels' live performance at the London Astoria in 2006 ("EELS Live and in Person!"). Eels Live and in Person! Ells Live and in Person! London 2006 is a live album by Eels released exclusively on their 2008 tour as a CD and DVD. It documents parts of two performances in London from the "Live and in Person! No Strings Attached" tour on June 23 and 27 at the Astoria. The CD/DVD is now available on their official website http://www.eelstheband.com Bobby, Jr. Everett's dog, Bobby Jr., has been on the rise lately, too. A mix between a German Shepherd and a Basset Hound, Bobby Jr. was a homeless dog, roaming the streets of Silver Lake, Los Angeles, California until the Los Angeles Animal Control caught him, and he was taken to a dog pound, where Everett eventually "adopted" him. Recently, Bobby Jr. lent his vocals to the Eels song "Last Time We Spoke" on the album Blinking Lights and Other Revelations] (2005). Bobby Jr. can also be seen on assorted Eels merchandise, the official Eels website, and he even has his own MySpace!

Related Reviews

30 Comments

  1. feck111 19 Jul 2011

    I genuinely love this album. Not sure what people are complaining about.

  2. conditionals 09 Feb 2011

    Really guys? I thought this was easily the best Eels album since Souljacker.

  3. konsipura 20 Dec 2010

    if any tomorrow morning is so boring i shot myself ... i don't get it ... 7 or 8 songs of this stuff would have done it. definitely the worst of the trilogy ...

  4. Yellowfield 27 Oct 2010

    Some great tracks on this album, I find it better than the two previous ones.

  5. Dustache 22 Sep 2010

    Great record, I just don't feel much for Spectacular Girl and The Man.

  6. Lowbacca 20 Sep 2010

    on 2nd listen: it's a nice record and all, but E doesn't really enhance his stuff or refine his style, he just tries weirder things. and to me, that doesn't necessarily work. beats, strings and 80s vibes seem out of place. also, many tracks seem to long. instead, most of the bonus EP should've made it on the actual album. i'd give it a 6/10. i hope E's next release takes more time, for obvious reasons. regarding the completed trilogy i'd say it's 1) END TIMES 2) HOMBRE LOBO 3) TOMORROW MORNING.

  7. Homebody911 04 Sep 2010

    baby loves me <3

  8. Schlockischlo 03 Sep 2010

    best tracks included on the bonus ep.

  9. befree510 01 Sep 2010

    well done, E. fabulous conclusion to the Hombre Lobo/End Times saga.

  10. noiserror 31 Aug 2010

    bad...

  11. Schlockischlo 31 Aug 2010

    i'm playing tomorrow morning right now but i'm not listening yet. bored. lame. and then it turns out pretty funky man!

  12. ofiara_drzwi 30 Aug 2010

    cooool

  13. zYroX 27 Aug 2010

    might be the best album yet! love it!

  14. DigitalLove42 25 Aug 2010

    =]

  15. TheOnlyHelicon 24 Aug 2010

    It gets better with each listen.

  16. Remysaus 24 Aug 2010

    After a few listens it only gets better. My favourite of the last 3.

  17. dhvr 23 Aug 2010

    Love It!

  18. Bettyispretty 23 Aug 2010

    Ooh! Didn't even know there was a new release coming!! Can't wait to hear it!

  19. spacemanDOUG 22 Aug 2010

    love it love it love it love it love it

  20. buckeye05 22 Aug 2010

    personally this is the best eels release since blinking lights, without a doubt, this album is really impressive [2]

  21. TheTawnyAir 22 Aug 2010

    personally this the best eels release since blinking lights, without a doubt, this album is really impressive

  22. Lowbacca 22 Aug 2010

    didn't do much for me on 1st listen. very few tracks stood out. most are too long, feel stretched or uninspired. hardly any of those precious eels-melodies (or rawness, for that matter) to be found. also not much happening on an emotional level, at least not to me. actually i much more liked the tracks on the bonus EP. maybe i really should give it another try TOMORROW MORNING...

  23. my_throat_hurts 21 Aug 2010

    A disappointing effort.

  24. KingBarendrecht 21 Aug 2010

    This is like E's 'Kid A' ?? Iam downloading now!! maybe buy later...

  25. JamieD1871 21 Aug 2010

    This is like E's 'Kid A' :)

  26. pukirocks 20 Aug 2010

    welcome back

Leave A Response