Blur - No Distance Left To Run Review

No Distance Left To Run

Blur

Release Date: 15th Feb, 2010
Label: Parlophone
Genre: Indie

With the break-up in 2009 of perhaps the most recognisable Britpop bands, it’s fitting Blur bow out with a warts and all documentary film. While there have been previous efforts at following the band (the early 1990s tour film ‘Starshaped’ being perhaps the closest comparison) it never really got beneath the skin of the band – what made them tick, how they got together, got on, and ultimately split, before reforming last summer. This film focuses on each of the band in turn, and courses the pop stardom that was to come. Rather than belt through each of the band’s albums in turn, there are a lot of candid, emotional and humorous interviews and never-seen-before footage of the band at work and play, which is certainly welcome for long-time fans. As a bonus, although it feels more of an accompaniment than an extra feature, is the band’s triumphant live show in Hyde Park from July 2009. While not their last ever show, it was perhaps the highlight of their mini-tour, overshadowing both Glastonbury and their last performance at the T In The Park festival, featuring all the hits and lesser heard tracks, wildly lapped up by the crowd, and which could have been released as a stand-alone DVD. A brilliant and worthwhile film on a band that will be sorely missed.

Reviewed by Pete Muscutt

About The Artist

Blur

Blur is an alternative rock band which formed in Colchester, England in 1989. The band consists of Damon Albarn (vocals, guitar, keyboards), Graham Coxon (guitar, vocals), Alex James (bass) and Dave Rowntree (drums). Blur's debut album Leisure (1991) incorporated the sounds of Madchester and Shoegazing and spawned their first UK Top 10 single, There's No Other Way. Following a stylistic change in 1992 (influenced by English guitar groups such as The Kinks, The Beatles, The Animals and XTC) Blur released "Popscene" as a stand alone single, this was a commercial flop, but was widely considered to be a crucial turning point for the band's style. Following this, Blur released 3 studio albums in a similar style: Modern Life Is Rubbish (1993), Parklife (1994) and The Great Escape (1995). As a result, the band helped to popularise the britpop genre and achieved mass popularity in the UK, aided by a famous chart battle with rival band Oasis dubbed "The Battle of Britpop". By the late 1990s, with the release of Blur (1997), the band underwent another reinvention, influenced by the lo-fi style of American indie rock bands such as Pavement; in the process, Blur finally gained mainstream success in the US with the single, "Song 2". The last album featuring the band's original lineup, 13 (1999) found Blur experimenting with electronic music and gospel music, as Albarn wrote more personal lyrics. In May 2002, Coxon left Blur during the recording of their seventh album Think Tank (2003). Containing electronic sounds and simpler guitar playing, the album was marked by Albarn's growing interest in hip-hop and African music. In December 2008, Blur announced that they would be reforming for the first time since their hiatus in 2003, complete with Graham Coxon, for a UK Tour in 2009. Blur headlined the Oxegen Festival in Ireland, Glastonbury and the T in the Park Festival in the UK, as well as Dates in London, Manchester, Newcastle, Southend and Wolverhampton.

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