Lissie  - Catching a Tiger Review

Catching a Tiger

Lissie

Release Date: 21st Jun, 2010
Label: Columbia
Genre: Folk Pop

California native Lissie Maurus makes a man sick to his stomach. Not because she’s no good – rather the exact opposite. Catching a Tiger is a debut that dreams beyond typical new artist parameters. It is the work of a girl who looks, even with a fag hanging from her pale lips, like an alt-fashion model. But she sounds like one of the greatest female vocalists of a generation, arguably without even really trying.



High praise, but hang in there: qualification’s coming. Covers have courted attention in certain quarters of the press – Lady Gaga here (watch on Youtube), Metallica there (watch on Youtube) – and a live duet with Ellie Goulding (watch on Youtube) hasn’t harmed her chances of considerable exposure around the release of this 12-track collection of country-tinged radio rock (think late-60s, early-70s Laurel Canyon vibes, with more than a pinch of Fleetwood Mac, given a contemporary kick).

But beyond the gimmicks there’s a talent evident within seconds of opener Record Collector. Kitchen-cupboard percussion clatters, and then: “I’m tired of saying that I won’t get lost ever again… Who knows, maybe I will.” It’s half-spoken, half-sung; it sounds angelic like few voices have this side of the millennium bug meltdown that never was. Not wholly celestial, grounded as it is in spit and sawdust, but reaching for an emotional connect with the listener that few new artists can aim for without sounding forced, pushed to the very extremities of their abilities.


That’s why Lissie sounds special from the off: not once here does she enunciate uncomfortably, never overstretching to the detriment of the song in question. The way words tumble rapidly during the verses of When I’m Alone is nothing new, but they’re offset by pre-chorus peaks that make evident the way she can ease up the octaves with a confidence that will always lift an arrangement, however ordinary it is in comparison to its vocalist. Which is good, as there are relatively pedestrian pieces here; tracks that in the hands of another would fade from the memory faster than an early-doors Big Brother evictee. Cuckoo is hard strums and shimmery production but ultimately hollow of design, and Worried About stomps itself into a go-nowhere circle – but both are brightened brilliantly by vivacious, vitalised vocals.


Lissie does not fully earn her an-artist-apart stripes with Catching a Tiger, but all the signs are here. Give the girl a second and she’ll steal your heart; give her another album and she will, quite possibly, become untouchable.

Reviewed by Mike Diver

About The Artist

Lissie

Elisabeth Maurus (born 21 November 1982), known by her stage name Lissie, is an American folk rock artist. She released her debut EP, "Why You Runnin'", in November 2009. Her debut album, Catching a Tiger, was released in June 2010. Lissie is from along the banks of the Mississippi, Rock Island, Illinois. Why You Runnin' - the Fat Possum released & Bill Reynolds (Band Of Horses) produced - EP released in the US late last year, earned the young singer high praise, with coverage in Bust, Filter, Marie Claire, Nylon, and Under The Radar to name but a few. In addition to the recent 'Best of What's Next' profile in Paste, the Boston Globe included her in their 'Names To Know' in 2010 feature, declaring she is "...not so much a soul singer as she is an incredibly soulful Americana artist who finds the sepia-toned sweet spot between Neko Case, Laura Marling, and the Shangri-Las." Comparisons such as these and with other luminaries like Stevie Nicks & Chrissie Hynde may already be coming thick and fast, but in 2010 you'll have a chance to discover who Lissie really is for yourselves; an artist as relevant to the present day as at peace with the artistry of the last four decades. Recorded mostly in Nashville late last year with Jacquire King (Kings of Leon), as well as further sessions with Bill Reynolds and Ed Harcourt, Lissie's debut album which will follow this summer is packed full of surprises. For starters there is a voice that crackles with the influence of the blues as much as it does with say folk music, and a range and delivery that could put most rock singers to shame. Then more importantly there are the songs; where wonderfully brooding & emotionally charged stories mix with a magical warmth that feels as at home blasting out of a radio today as it does driving across the desert with the wind in your hair. Lissie lives by herself, with her dog, in a farmhouse in Ojai, California, away from the beaten & obvious track of LA's music scene. There are many things from her life & history that make these songs and her spirit possible, some of it in deference to that spirit: having a grandfather who was an international barbershop quartet champion, having a great-grandfather who was a train-jumping hobo on this famous Rock Island Line (the Cash song of the same name Lissie has played in hometown gigs), a father who delivered her at her birth, getting kicked out of high school, selling honey for living money upon coming to LA and an inability to separate herself from this Midwestern city. Lissie will play a run of US dates as special guests to The Low Anthem en route to several appearances at this year's SXSW festival. These US shows come off the back of recent London shows & previous US tours as special guests to Ray Lamontagne & City and Colour that have seen Lissie pick up rave reviews across the board. Lissie will then return to tour the UK this spring, with a loads of festivals to follow over the summer. Watch this space for more details!

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18 Comments

  1. Mrclarkson92 10 Nov 2011

    Ordinary, but not generic

  2. carstensen1981 05 Sep 2011

    Flawless album indeed. "This is a very ordinary album. If you miss it, don't worry, you won't have missed much." OK, thanks for the info. Now go and listen to your psychedelic rock and 8-bit electronica elsewhere, please :-)

  3. Gaeet 24 Jun 2011

    Flawless album.

  4. Imaginary_Lives 03 Jun 2011

    The production might be generic but these are some great songs and she's got an amazing voice.

  5. zloebelko 10 May 2011

    она просто супер

  6. AmyKibler 06 Jan 2011

    shes amazing

  7. oscar_mg 13 Nov 2010

    Meh, I don't really like the album. It feels a a bit rushed and the production has a generic feel.

  8. rebecaayeah 19 Oct 2010

    i start listening to this album and then i just can't stop

  9. pablo_prettyodd 12 Oct 2010

    Amazing

  10. chocobooo 11 Sep 2010

    this album is amazing! I don't give a damn what ppl say about it, I just love it

  11. JOASEM66 17 Aug 2010

    Świetna płytka, szkoda, że Polscy fani jeszcze nie mogą jej kupić "drogą legalnego posiadania"- polecam, polecam :)płyta bardzo energetyczna, optymistyczna

  12. Beat_C 26 Jul 2010

    the songs are good, but the production is awfully MOR.

  13. PARLOD 24 Jul 2010

    Definitel NOT ordinary. A very noteworthy record.

  14. qrobur 22 Jul 2010

    This is a very ordinary album. If you miss it, don't worry, you won't have missed much.

  15. thomas534 16 Jul 2010

    oh oh, so fresh

  16. abucool10 28 Jun 2010

    i think i have found the best album of 2010

  17. suwood 21 Jun 2010

    I ordered this as an import because it won't be available in the US for a while. Comes out in the UK on June 21st. Some of the strongest tracks from the EP plus a bunch more that showcase her beautiful, intense voice. An amazing record!

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