The Divine Comedy - Bang Goes The Knighthood Review

Bang Goes The Knighthood

The Divine Comedy

Release Date: 31st May, 2010
Label: Divine Comedy Records
Genre: Indie

Ten albums into a (largely) distinguished career, it might have been hoped that The Divine Comedy’s Neil Hannon could have resolved the struggle for his soul that has defined and dogged his progress.
Divine Comedy albums are always an arm-wrestle between two incompatible personas. One is the elegant and witty balladeer, a precocious hybrid of Scott Walker and Randy Newman, heard on such commanding cuts as The Dogs & the Horses and Sunrise. The other is the insufferably bumptious japester queasily evocative of Gilbert O’Sullivan, most notably culpable for the enragingly jaunty sing-along National Express (which, rather depressingly, remains The Divine Comedy’s biggest hit).
Bang Goes the Knighthood finds Hannon still struggling to accommodate both mutually deleterious instincts. Vexingly, the wrong one gets the upper hand. Too much of this collection represents Hannon at his worst: smug, trivial and infuriatingly self-amused. At the Indie Disco and the title-track are both trite swipes at wretchedly obvious targets (young people are socially awkward and musically unadventurous, we learn, while aristocrats are apparently drawn to risky sexual adventures). And The Complete Banker is actually as cringe-inducingly ham-fisted as its title.
The likeable whimsy of Can You Stand Upon One Leg asks, “Can you write a silly song? It’s harder than you think”. This may be true, but Hannon’s efforts in this direction do little but demonstrate that some challenges are best left unmet. Someone of his vast musical gifts must be able to tell that his best melodies and arrangements invariably accompany his better lyrics: for, as ever, the tunes accompanying those words not written to raise cheap laughs are magnificent.
Have You Ever Been in Love is a joyous descendent of Perfect Lovesong ¬– the glorious highlight of 2001’s Regeneration; When a Man Cries may even be Hannon’s finest moment yet, a thoughtful evocation of masculine vulnerability. Hannon summons a brooding symphony behind it, illuminated by the tinkling of a music box. It could have come from 1997’s A Short Album About Love ¬– which, not coincidentally, remains The Divine Comedy’s least amusing and most compelling album.

Reviewed by Andrew Mueller

About The Artist

The Divine Comedy

The Divine Comedy is a baroque pop band now based in Dublin, Ireland, fronted by Neil Hannon. Neil Hannon, Originally from Derry, has been the only ever-present member of the band, being its founder in 1989 when he was joined by John McCullagh and Kevin Traynor. Their first album, the heavily R.E.M.-influenced and now-deleted Fanfare for the Comic Muse, enjoyed little success though. A couple of equally unsuccessful EPs - Timewatch (1991); Europop (1992) - were to follow, with newly-recruited member John Allen handling lead vocals on some tracks. After the commercial failure of the latter EP, this line-up soon fell apart. Hannon, however, was not deterred in his efforts and re-appeared in 1993 with Liberation. Featuring a fairly diverse musical outlook that goes from the tongue-in-cheek synth pop of Europop(nearly unrecognisable from the previously-released version) to the classical stylings of Timewatching. Indeed, it was only some minor success in France that really enabled Hannon to proceed to his second effort Promenade. Released in 1994, this was heavily driven by classical influences, with Michael Nyman's stylings clearly an influence. Hannon himself acknowledged this when he apparently sent a copy of his new album to the composer, jokingly asking him not to sue. Essentially a concept album about a day spent by two lovers, it also received similar critical acclaim to that which Liberation was afforded. Commercial success, though, was not forthcoming. At around the same time, Hannon also wrote and performed the theme music for the TV sitcom Father Ted (which would subsequently be incorporated into the song Songs of Love on the album Casanova), and later wrote the music for the deliberately bad mock-Eurovision song My Lovely Horse for one episode. Hannon resisted widespread requests from fans to release the track as a single for the Christmas market, but it was eventually released in 1999 as the third track on the CD-single Gin Soaked Boy. This would not be the only time they would be responsible for a TV theme, as In Pursuit of Happiness was also used by the BBC science and technology show, Tomorrow's World. Hannon also recently composed the music for the comedy series "The IT Crowd". The album Casanova (1996), and in particular the single Something for the Weekend led to the band's first major successes, with Neil Hannon becoming a distinctive, albeit unlikely, popstar in an immaculate suit, and always appearing the elegant dandy. At the height of their commercial success, the band put out A Short Album About Love (a reference to the Krzysztof Kieślowski movie A Short Film About Love), recorded live at soundcheck with the Brunel Ensemble in preparation for a concert at the Shepherd's Bush Empire, from which several songs were released as b-sides. It was aptly released on Valentine's Day in 1997. Subsequently, the band contributed a reworking of Noel Coward's I've Been to a Marvellous Party to a compilation of covers of the writer's songs, with Hannon affecting a Cowardesque lilt (albeit interspersed with an aggressive electronic musical backing). The foppish image, but not the suit, was ditched for the more sombre album Fin de Siècle in 1998, although its biggest hit, the jaunty National Express, a song about the national coach operators, belied its more intimate, soul-searching tone. Maintaining the balance between these poles, 1999's Secret History - The Best of The Divine Comedy included a re-recording of Liberation track The Pop Singer's Fear of the Pollen Count and two new songs (Gin-Soaked Boy and Too Young To Die) alongside the band's main hits. In the same year, the band also collaborated with Tom Jones on a cover version of Portishead's All Mine, featured on his album Reload. A serious side to the band was also in evidence in 2000's collaboration with Ute Lemper on her album Punishing Kiss, most of which featured The Divine Comedy as Lemper's backing band. The 2001 album Regeneration attempted to remove the band still further from its association with comedy. Hannon hired famous producer Nigel Godrich to "remake" the band. Neil ditched the suit and donned the Britrock band image. However, the album was a greater critical than commercial success, and soon after its release it was announced that The Divine Comedy were splitting up. However within a year Hannon was touring again with a revised band line-up, playing a series of joint-headline gigs in the USA, UK and Ireland featuring both The Divine Comedy and Ben Folds, who would cover The Divine Comedy's Songs Of Love on his Sunny 16 EP. Eventually a new album surfaced in the form of 2004's Absent Friends. Striking a balance between the occasionally earnest sound of the band's later material and the lighter tone of the more popular releases, it encapsulated the essence of The Divine Comedy. 2004 saw two dates of particularly acclaimed performances, one at the London Palladium (which was later released as a live DVD) and one at the Royal Albert Hall. In January 2005, Hannon announced that he had acquired the worldwide copyrights to all of his recorded output with his former record label, Setanta Records. He declared on the band's official website that he would be launching his own record label Divine Comedy Records in order to re-release his 1990s output. Hannon's ninth album under the Divine Comedy moniker, Victory For The Comic Muse (a reference to his debut), was released in June 2006. It is suggested by fans to be less personal and more free-approach in tone than his most recent albums. The bulk of the record was recorded in just two weeks, hence the more spontaneous sound, and features appearances from Travis bass player Dougie Payne. Hannon collaborated with Thomas Walsh of Pugwash to create an album themed around the sport of cricket. Released under the alias The Duckworth Lewis Method, the self-titled album was released in 2009 to critical acclaim. The following year saw the tenth Divine Comedy album and first on his own label, Bang Goes The Knighthood.

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3 Comments

  1. sinornis 24 Dec 2010

    A damn fine album!

  2. sofaofthedamned 18 Jun 2010

    Great album! Nice to see Neil back on form, now if only he'd come back to Glastonbury :)

  3. VelBG 06 Jun 2010

    Not quite his best, but a good effort nonetheless. Witty and poignant as ever.

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